The three big themes that should be communicated within the sound scapes:

1. As mentioned in the first production meeting, the impact of pacing.

2. The cohesiveness through David Bowie songs and styling.

3. Non-diegetic sounds that tie both 1 and 2 together, to aid and support an audience's perception of the piece.

4. The implementation of samplings from Phillip Glass “Heroes Symphony” 1996.

The world and story of this play are laid out within the prologue. This leaves audiences already knowing what is to come and what to expect. Many already come in with prior knowledge and emotions toward certain scenes and major plot points. Building a soundscape designed around hard-hitting beats would craft a world where sound isn’t provided to distract, but rather aid in the emotional storytelling and fueling a lasting emotional impact on the audience.